Sunday, 8 July 2012

The Scarlet Pimpernel - Fact or Fiction

The Scarlet Pimpernel - Fiction and Fact

“They seek him here, they seek him there,
Those French men seek him everywhere.
Is he in Heaven? – Is he in hell?
That damned annoying Pimpernel.”

The Scarlet Pimpernel, Baroness Orczy’s most famous character, is Percy, the gallant daredevil, Sir Percival Blakeney Bart. He is the hero of her novels and short stories set in The French Revolution, so aptly nick-named The Reign of Terror.

Orczy was a royalist with no sympathy for the merciless Jacobins who spared no efforts to achieve their political ambitions. Historical accounts prove everyone in France was at risk of being arrested and sent to the guillotine. Orczy’s works of fiction about the Scarlet Pimpernel display her detailed knowledge about Revolutionary France, and capture the miserable atmosphere which prevailed in that era.

When writing about her novel The Laughing Cavalier, Percy’s ancestor, Orczy described Percival’s “sunny disposition, irresistible laughter, a careless insouciance and adventurous spirit”.

As I mentioned in my previous article in Baroness Orczy, in Vintage Script, Percy revealed himself to Orczy while she was waiting for a train at an underground station. She saw him dressed in exquisite clothes that marked him as a late eighteenth century gentleman, noted the monocle he held up in his slender hand and heard both his lazy drawl and quaint laugh. Inspired by their meeting she wrote The Scarlet Pimpernel in five weeks.

On the second of August, 1792, Percy founded his gallant League of Gentlemen composed of nine members. When ten more members enrolled in January 1793 there was “one to command and nineteen to obey.” Percy and his league saved innocents from the French Revolutionary Government’s tool, Madame Guillotine.

London society speculated about the identity of The Scarlet Pimpernel but, with the possible exception of the Prince Regent, only the members of Percy’s league knew his true identity.

Percy, a man of wealth and influence well-acquainted with the Prince Regent, heir to the throne, married Marguerite St. Just, a French actress. Until Percy discovered Marguerite was responsible for an aristocratic family’s death he was an adoring husband. Percy kept his alias, The Scarlet Pimpernel secret from Marguerite for fear she would betray him. Still loving Marguerite in spite of her crime, he feigned indifference, treated her coldly, shunned her company and acted the part of a fool so successfully that he bored her. However, Marguerite discovered the truth about Percy and saved his life. After the romantic couple’s reconciliation, Marguerite is mentioned as a member of the league in Mam’zelle Guillotine.

At the beginning of each of Orczy’s novels about The Scarlet Pimpernel and his league, the current events of the French Revolution are summarised. Thus, Orczy weaves fiction and face by not only featuring English and French historical figures such as Robespierre, d’Herbois, The Prince of Wales, and Sir William Pitt, the younger, but by making use of historical events. For example, in Eldorado Orczy describes the Dauphin in the care of the brutal shoemaker, Simon, who teaches the prince to curse God and his parents.

In the midst of horror, Orczy uses romance and heroism to defeat evil, as she did as a child when playing the part of a fearless prince while her sister acted the part of a damsel in distress.

Orczy spent 1900 in Paris that, in her ears, echoed with the horrors of the French Revolution. Surely she had found the setting for her magnificent hero The Scarlet Pimpernel, who would champion the victims of The Terror. But why did she choose such an insignificant flower for Percy’s alias? It is not unreasonable to suppose a Parisian royalist organisation’s triangular cards, which were hand painted with roses that resemble scarlet pimpernels, fuelled Orczy’s imagination.

Further fuel might have been added by a man called Louis Bayard, a young man with similarities to the real life Scarlet Pimpernel, although he might not have been motivated by Percy’s idealism

William Wickham, the first British spymaster, engaged the nineteen-year old Louis Bayard. In the following years, Louis proved himself to be as elusive as Percy. Like Percy, Louis had many aliases. Not only did Orczy’s fictional hero and Louis fall in love with actresses, both of them appeared and disappeared without causing comment. Real life Louis’s and fictional Percy’s lives depended on being masters of disguise.

In disguise, Percy fools his archenemy, Citizen Chauvelin, who Orczy gives the role of official French Ambassador to England. It is an interesting example of her distortion of historical personalities and incidents in order for them to feature in her works of fiction. In fact, it is doubtful that Bernard-Francois, marquis de Chauvelin ever assumed a false identity as he did in Orczy’s novel, The Scarlet Pimpernel, about Percy and his League of Gentlemen, among whom are such fictional but memorable characters such as Armand St Just, Marguerite’s brother, Sir Andrew Ffoulkes, Lord Hastings and Lord Tony Dewhurst.

Another example of Orczy weaving fact and fiction is Louis-Antoine St Just, a revolutionary, who she describes as Marguerite’s cousin. Louis-Antoine St Just, a young lawyer, was Maximillian Robespierre’s follower. He supported the punishment of traitors as well as that of anyone who was a ‘luke-warm’ revolutionary. In The Triumph of the Scarlet Pimpernel Marguerite’s brother, the fictional, Armand St Just, meets with Robespierre and other Jacobins. Orczy portrays him as young, fervent and articulate as the real life Louis-Antoine St Just.

Throughout the history of publishing countless authors, who became famous and whose work is still enjoyed as books, films, plays and t.v. dramatisations, found it difficult to place their work. Orczy’s most famous novel was no exception. Percy took the leading role in her play called The Scarlet Pimpernel and captured the audience’s hearts. Subsequently the novel was published and Percy became famous. His fame increased with each sequel about his daring exploits.

Orczy did not write her novels featuring Percy and his brave companions in historical sequence, but for readers who might prefer to read them in that order instead of the order in which she wrote them, they are as follows.



*The Laughing Cavalier

**The First Sir Percy

***Pimpernel and Rosemary

The Scarlet Pimpernel

Sir Percy Leads the Band

I Will Repay

The Elusive Pimpernel

Lord Tony’s Wife

The Way of the Scarlet Pimpernel


Mam’zelle Guillotine

Sir Percy Hits Back

A Child of the Revolution

The Triumph of the Scarlet Pimpernel

* About Sir Percy’s ancestor.

** Play 1903.

*** About Sir Percy’s descendant.

Short Stories

The League of the Scarlet Pimpernel

Adventures of the Scarlet Pimpernel

Of Further Interest.

Links in the Chain of Life. Baroness Orczy’s biography.

A Gay Adventurer. A biography of Sir Percy Blakeney, Bart (1935) written by ‘John Blakeney’ pseudonym of Baroness Orczy’s son John Montagu Baroness Orczy Barstow

First published by Vintage Script Summer 2012.

Sunday, 1 July 2012

Bariness Orczy

                                                                          Baroness Orczy

Best remembered for her hero, Percy Blakeney, the elusive scarlet pimpernel, Baroness Orczy was born in Tarna Ors, Hungary, on September twenty-third, eighteen hundred and sixty-five to Countess Emma Wass and her husband Baron Felix Orczy. Her parents frequented the magnificent court of the Austrian Hungarian Empire where the baron was well known as a composer, conductor and friend of famous composers such as Liszt and Wagner.

Until the age of five, when a mob of peasants fired the barn, stables and fields destroying the crops, Emma Magdolna Rozália Mária Jozefa Borbála “Emmuska” Orczy, enjoyed every luxury in her father’s magnificent, ancestral chateaux, which she later described as a rambling farmhouse on the banks of the River Tarna. The baron and his family lived there in magnificent ‘medieval style’. Throughout her life; the exuberant parties, the dancing and the haunting gypsy music lived on in Emmuska’s memory.

After leaving Tarna Ors forever, the Orczys went to Budapest. Subsequently, in fear of a national uprising, the baron moved his family from Hungary to Belgium. Emmuska attended convent schools in Brussels and Paris until, in 1880, the baron settled his family in Wimpole Street, London.

At fifteen years of age, Emmuska not only learned English within six months, but also won a special prize for doing so. Later, she first attended the West London School of Art and then Heatherby’s School of Art, where she met her future husband, Montague Barstow, an illustrator.

Emmuska fell in love with England and regarded it as her spiritual birthplace, her true home. When people referred to her as a foreigner, and said there was nothing English about her, she replied her love was all English, for she loved the country.

Baron Orczy tried hard to develop his daughter’s musical talent but Emmuska chose art, and had the satisfaction of her work being exhibited at The Royal Academy.

Later, she turned to writing.

In 1894 Emmuska married Montague and, in her own words, the marriage was ‘happy and joyful’.

The newly weds enjoyed opera, art exhibitions, concerts and the theatre. Emmuska’s bridegroom was supportive of her and encouraged her to write. In 1895 her translations of Old Hungarian Fairy Tales: The Enchanted Cat, Fairyland’s Beauty and Uletka and The White Lizard, edited with Montague’s help, were published.

Inspired by thrillers she watched on stage, Emmuska wrote mystery and detective stories. The first featured The Old Man in the Corner. For the generous payment of sixty pounds the Royal Magazine published it in 1901. Her stories were an instant hit. Yet, although the public could not get enough of them, she remained dissatisfied.

In her autobiography Emmuska wrote: ‘I felt inside my heart a kind of stirring that the writing of sensational stuff for magazines would not and should not, be the end and aim of my ambition. I wanted to do something more than that. Something big.’

Montague and Emmuska spent 1900 in Paris that, in her ears, echoed with the violence of the French Revolution. Surely she had found the setting for a magnificent hero to champion the victims of “The Terror”.

Unexpectedly, after she and her husband returned to England, it was while waiting for the train that Emmuska saw her most famous hero, Sir Percival Blakeney, dressed in exquisite clothes. She noted the monocle held up in his slender hand, heard both his lazy drawl and his quaint laugh. Emmuska told her husband about the incident and within five weeks had written The Scarlet Pimpernel. Very often, although the first did not apply to Emmuska and Montague, it is as difficult to find true love as it is to get published. A dozen publishers or more rejected The Scarlet Pimpernel. The publishing houses wanted modern, true-life novels. The Scarlet Pimpernel was rejected. Undeterred Emmuska and Montague turned the novel into a play.

The critics did not care for the play, which opened at the New Theatre, London in 1904, but the audiences loved it and it ran for 2,000 performances. As a result, The Scarlet Pimpernel was published as a novel and became the blockbuster of its era making it possible for Emmuska and Montague to live in an estate in Kent, have a bustling London home and buy a luxurious villa in Monte Carlo.

During the next thirty-five years, Emmuska wrote not only sequels to The Scarlet Pimpernel such as, Lord Tony’s Wife, 1917, The League of The Scarlet Pimpernel 1919, but other historical and crime novels. Her loyal fans repaid her by flocking to the first of several films about her gallant hero. Released in 1935, it was produced by her compatriot, Alexander Korda, starred Lesley Howard as Percy, and Merle Oberon as Marguerite.

Emmuska and Montague moved to Monte Carlo in the late 1910’s where they remained during Nazi occupation in the Second World War.

Montague died in 1943 leaving Emmuska bereft. She lived with her only son and divided her time between London and Monte Carlo. Her last novel Will-O’theWisp and her autobiography, Links in the Chain of Life were both published in 1947 shortly before her death at the age of eight-two on November the twelfth, in the same year.

A lasting tribute to the baroness is the enduring affection the public has for her brave, romantic hero, Sir Percival Blakeney, master of disguise.

First published Spring 2011
Volume 1Vintage Script
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